Matt Hart

from SERMONS AND LECTURES BOTH BLANK AND RELENTLESS

*****

How longingly longingly      The noisome new
affections      Crank up the distortion to the setting
marked Nimbus       Then go to dinner with Mary
Anne and Mike      Last night      Wine flight       I guess
again I drank too much      So many cats being strangled
at once, then breaking my face      Now it’s non-objective
art      January January      Called my sister Happy Birthday
Hungover my shoulder, and look up it’s Sunday       I wish
to say nothing more urgent than everything collapses
on our hearts and we can feel it       Earphones ringing
Rabbits adjustable and picking up our signal
Grapefruit blasting DNA           Arto Lindsay    Ikue Mori
Robin Crutchfield, what the hell     Which part of headache
do you not understand      Ibuprofen for the rest of my life
I wasn’t thinking and forgot Tim Wright        At least
no crutches      Failing too much      Forgot which way
I was headed into Milton      Came back to Corso, but
was always blacking out      Taking notes takes something
down       Armload of flowers, box of rain, boatload of bottles
cracked over my bow      You’ve never seen a man fight
until you’ve seen him with his family     No
wonder the repeatedly repeatedly anything
Holding your hand is a wonderful KA-BLAM
Best friend ever      Used to kick me


*****

Stand up and do the opposite or the opposite of opposite
Maybe the stars have actual mouths, those lights
of white matter, full chattering darkness
If being human was nicer, would the air even vibrate
Would anyone pass notes through the keys of a piano
Feeling’s only one thing and reason is another
The cream on the top of this coffee’s delicious
I am meditating on it      It’s the only way to be
How weird to feel the spirit and not really be singing,
not really be dispensing advice like a chemist
All the powders and potions just gimmicks in the ghost
The monkey mechanics and the wrenches in the logic
I believe in the mess and I adore the way it rushes
Pay no attention to the places where you’re slipping
Let emotion’s motion stake your claim
on something brighter      Be always and entirely
self-propelled


*****

Second day in forever      Number one hit record
Too close to the sun        Going running, I declare it
My eyes still smarting and darting in the ether
The last thing I said to you was sorry in a hurry,
but I wanted not to see the spots, the damnable ones
and the new puppy dog      The former too bleeding
and the latter too cutesy      Now the loosey-goosey
and the new fire engine      The airline terrific,
like an icebox in my lungs      I think about
how to put the reinvention gently, the soul transforming
and the tie I’ll wear to meeting, the open-ended questions
if we’re lucky in the grasses      The end of all suffering,
or even just the most of it      Definitely yours
and hopefully my own     But that’s in the future,
and right now I’m wading through it, these presents
of presence, the stupid catchy chorus
and my body’s momentum      It may not
seem like a big thing, but the worst is yet to come
Today is a Sunday, so the harpist growls
with brightness      I feel like
being quiet      A reflector


*****

Stage left or stage right depends on your perspective
The weird singer’s gondola, terrific floating city      Either
it’s a dream, or I’m already dead, the landscape spreading out
in so many directions, all the same, yet different
ready-made      I’m not sorry for dancing
if it’s part of the trajectory—the song but a measure
of the songbird’s white head, Alfred North
both process and reality, idea and material      Time
an urgent matter in the young girl’s heart      The young
boy’s tooth coming loose in the park, making way
for whatever doesn’t fit in a fit     ”Pablo Picasso”
by Jonathan Richman      The barges barging in
like they own the depths and surfaces when real life’s a function
of ignoring the distinctions      April showers      Pretty pictures
Broken antique cowboy dishes      One mirror’s garbage
is another mirror’s tulips      An afterlife of chasing sticks
Daisies and gators      An impenetrable swamp      We seem
to connect, but is it really a connection      Do we ever
make out like bandits making-out in a grass-stained meadow
or a Galaxie 500       Backseat preface      Mouth-to-mouth
in the ruckus      Sitting in a parking structure
watching mostly shooting stars      A pocketful of posies
A belly full of colored pills         Something I’ve stolen
from somebody else      ”Don’t Let Our Youth Go to Waste”


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